The 31st edition of the abridged version of the VMAs will be something like this: Ariana Grande imposes itself definitely like the new pop sensation, Nicki Minaj suffers seizures on the rear and an indomitable will to undress, Jessie J is caught in the commotion, Taylor Swift points out the sights to Las Vegas, Sam Smith looms and gives a lesson in humility, Usher your estopinhas and resists the advances of Minaj, Lord triumphs in the rock pantheon without quite knowing how, One Direction now come from Australia, use piercings and play guitar, 2011 ema Iggy Azalea leaves empty-handed but with respect for the reinvigorated 2011 ema nation, the Maroon 5 still clinging to the Police Manual, Miley Cyrus meets self-imposed penance for the blasphemies of last year, slaughtering the competition with that video tutorial demolition of walls and balance in spherical structures and then ... then there was Beyonce doing what it does best - being the greatest performer of his generation, a night that was entirely his and no one else.
Best Art Direction- 2011 ema Arcade Fire- "Reflektor"
Directly to the planet Zaircón Forum Inglewood, Ariana Grande down from his spaceship to play the role of the Galactic dj doll (in this case the missing Zedd) that relies on its air of Lolita - air has just turned 16 who years but the BI accuses 21 - and the blessed vocal chords worthy of a young Mariah Carey waiting to flourish. In fact, "Break Free" was not as good as it should have been: it lacked spunk and vocal strength at moments of sobriety. Anyway, did not leave injured in some way: you just flick your hair, smile and drop an occasional powerful note to stay conquered.
"Oh-my-gosh, look-at-her-butt!" The words are taken from that fantastic viral success that is "Anaconda" - video with Nicki Minaj hits ever recorded in the canons of musical panorama historical levels of artistic decadence and prostitution - and that this summarize his performance: 2011 ema two minutes of oral diarrhea, twerks inflated and self-deprecation towards who knows what. And I thought that after "Starships" was impossible for him to go down even lower ...
The grand finale of the introductory act takes place to the tune of "Bang Bang", this hit portent that meets the aforementioned artists Jessie J, we see that almost overshadowed in his own song. Perhaps the beginning has been deleted too, but then went to see her in a vocal Despique with Ariana, already more comfortable and melodious. As for Miss Minaj, is seen to scrape 2011 ema to debit verses and hold the sly dress that was totally stripped leaving the stage. The song would have much better results if you were given a decent 2011 ema scenic treatment. Deserved more, no doubt. 2011 ema
The first prize of the night is announced, Best Female Video, which got into the hands of Katy Perry - with an outfit 2011 ema in homage to dress Britney Spears in the 2001 edition - and its laughable "Dark Horse", possibly the worst Video female to receive this distinction in the century. XXI, only comparable to the year in which "Starships" unjustly triumphed in this category. It is then time to Taylor Swift, America's sweetheart, 2011 ema take account of the stage - and it's safe to say that well occupied - with the brand new and appetizing "Shake It Off", which had the right to a battalion of dancers and a sketch almost humorous. It was his fourth performance at the VMAs and was surely the time most enjoyed watching.
Follows the delivery of the Best Male Video - who knew ?! - Ed Sheeran, 2011 ema who just won his first Moonman and leaves behind big names like Eminem and Pharrell Williams. Unexpected but thoroughly deserved. 2011 ema Shortly after it's time to reveal the Best Pop Video is in the hands of Ariana Grande and inescapable "Problem", which only confirms the crescenta successful route to this girl is headed. That said, the young Sam Smith takes the stage for a beautiful performance of "Stay with Me" that reminds of the intimate and equally humble moment in 2011 when Adele swept the crowd with tear "Someone Like You". In my view, the second best performance of the night.
It follows the announcement of the depositary Best Hip-Hop Video: Drake and his incredible "Hold On, We're Going Home" which triumphed as predicted, on the Eminem and Kanye West supreme. It was time to win the boy's every little thing. Then comes the time to submit your Usher "She Came to Give It to You," which is no more than the "Blurred Lines" Autumn / Winter 2014 at which neither Pharrell lack of production at the controls. The signor Usher is known for being a tremendous performer, but I think yesterday was not at his best, blaming a lack of energy. And no, it was certainly not the rear Nicki Minaj - again, completely unnecessary - that made it breathtaking. At least there never fails, was blameless - - perhaps the complex choreography has been the combo and enters the
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