We waited in vain to meet someone of the masters, to ask the reasons for the choice, but there was

Promote trade relations, promote the skill of artists and designers, to stimulate the economy is the main purpose of the exhibition "Beyond the stone", inauguratasi emmy armenia in Bari in the Sala Murat, in the presence of the Vice President and Deputy Mayor for Economic Development Loredana emmy armenia Capone. The event organized by the Region of Puglia and wanted, thanks to the SPRINT (regional office emmy armenia for the internationalization emmy armenia of firms), it tells the production and extraction of stone materials in Puglia, through images and design objects created by artisans and local businesses . Again, back in the foreground regional productivity to boost the local economy and promote the skill of artists, architects and designers.
To enrich the exhibition, also some shots of internationally renowned photographers who specialize in shooting architecture. Let's talk about Olivo Barbieri, Gabriele Basilico, Gianni emmy armenia Berengo Gardin, Luca Campigotto, emmy armenia Ferdinando Scianna, called to tell Puglia with its architectural monuments carved emmy armenia in stone, the result of an ancient knowledge that has been passed out of sight and mind. Big names, therefore, for an exhibition of the author, set lavishly emmy armenia with huge display panels on which the images are mounted according to an unusual geometric pattern. emmy armenia In short, no expense was spared in order to make a good impression.
Too bad that something does not come back. The more experienced you are immediately noticed pictures cut and adapted to create compositions identical to each other, in which the form has wiped out much of the photographer's intentions and created confusion about the technique emmy armenia used. Yes, because the show is merely functional to the promotion of the objects presented, and the exhibition of the individual author, the same for everyone. Unthinkable that some of the biggest names of Italian photography, have been able to allow "adaptations" of photographs, regardless of the format.
Photo suddenly become rectangular square, formed non-existent, cut out most of the monuments, denouncing all the inability to distinguish the meaning normally invests the choice of the average size of 35 mm or larger size. Incomprehensible then the choices made by the trustee, if there ever was one. A receiver that combines geometric images of different formats, but in that format are never to be realized by the author.
It 's the case of the Basilica of St. Nicholas, a horizontal photograph, cut awkwardly to be adapted to a format that does not exist. An image that has deceived more than an inexperienced, intent to understand how it was made. But who is the curator of the exhibition? The name does not appear on either the brochure, nor on the display panel that shows the image of Castel del Monte. Yet the show does not seem a novelty, he repeats more than one of the visitors claiming to have visited it. But where, how, and especially emmy armenia when? Among the comings and goings of journalists, councilors, photographers and photography students, we try to investigate and discover that the images are part of a volume published in 2008, but strangely never officially presented to the public. But then how do you explain this new exhibition? How do you explain the decisions of the photographers who decide in unison to "cut" your own images, reducing the shots of the author in advertising images?
We waited in vain to meet someone of the masters, to ask the reasons for the choice, but there was no way. The photographers were inexplicably absent from the presentation. I wonder if it was the real present curator of the exhibition, which all say they have already visited in the past. How could he decided to present lqueste photographs copyright? A story that combines art, architecture, photography and design to promote craftsmanship and professionalism combined with local history, you can not just improvise. Each type of stone tells a different story, belongs to an architecture that handed down the significance of his time, and that suddenly comes to life, to narrate his past. In this variety corresponds to a different visual storytelling, which can not be deprived of its mode of expression. But in fact, the intent is intended to act as a boundary to the meeting with German operators in the stone industry, interested in weaving trade relations with our region and that a delegation will meet after the conclusion of the event. New paths of art and beauty, to revive the economy and development of Puglia, disturb the sleep of the photographers captured and cheer the sight of the newcomers, especially kidnapped from the rich buffet.
Besides the stone? We're not sure. It would be more appropriate to change